Photographer An-My Lê talks about her project Silent General and the personal and political tensions that run though her work.

Deities and emperors decay and crystallise in the American artist-designer’s enjoyable exhibition at Perrotin Paris.

The artist explains the lengths he must go to in order to create his signature graphite ‘floor drawings’ and talks about his latest exhibition, at Massimo de Carlo, Milan, based on the legendary 1965 Cambridge debate about race between James Baldwin and William F Buckley Jr.

Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whistler’s Peacock Room Reimagined, at the Victoria & Albert Museum, London.

The Jewish painter escaped Nazi persecution in his native Austria and moved to Cornwall, but his haunting art is testament to the mental torment that pursued him.

A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessential decadent writer, helped – and hindered – by the contemporary Italian artist Vezzoli.

One of the UK’s leading curators, Dumas talks about women in the art world, the trials and triumphs of curatorial life, the differences between working in the US and the UK, and Van Gogh, Cezanne, Degas, and Picasso – the subject of her latest exhibition, about to open at the Royal Academy.

In this truly hopeful, reflective group show, international artists explore alternative worlds and ways of living.

The London-based Filipino artist talks about The Collection of Jane Ryan & William Saunders, 3D replicas of some of the $21m haul of jewels amassed by Ferdinand and Imelda Marcos, and why the underlying narrative throughout this project is the act of grieving.

Museum focuses on the history of institutional critique and its contemporary manifestations, but fails to scrutinise its own curatorial practices.