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Meryl McMaster
McMaster, who often transforms herself into hybrid animal-human creatures for her photographs, discusses her show, As Immense as the Sky, at the Ikon Gallery, and how her mixed European and Plains Cree ancestry feeds into her work
Angelo Plessas. Karma Dome, 2019. Installation view, The Extended Mind, 2019. Image courtesy Talbot Rice Gallery, The University of Edinburgh.
This fascinating show explores the mind and how we think through our connections with other people, things and places.
Hamish Fulton. Google Champa Tenzin, Tibet, 2007, 2007. Framed archival inkjet print, 48 × 75 cm. © Hamish Fulton. Courtesy Parafin, London. Photo: Peter Mallet.
This exhibition of almost 50 years of Fulton’s experience of walking the natural world is a breath of fresh air in the heart of London’s Mayfair.
Cerith Wyn Evans. Neon Forms (After Noh I), 2015 (detail). Courtesy of the artist; White Cube and Pirelli HangarBicocca. Photo: Agostina Osio.
Enter Wyn Evans’s dazzling universe with this show of mesmerising light and sound sculptures and installations.
Leo Villareal talking to Studio International at the opening of his first solo show at Pace, London, 21 November 2019. Photo: Martin Kennedy.
American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public project, involving 15 major bridges on the Thames.
Jeremy Deller, Putin’s Happy, 2019. Film still. © Jeremy Deller, courtesy Hannah Barry Gallery.
Deller documents a nation split apart by Brexit as he strolls in and around Parliament Square filming a veritable pageant of protesters.
Noritaka Tatehana. Photo: GION.
Tatehana’s first solo US exhibition provides a new perspective on symbolism in traditional Japanese culture.
Sabina, 16 years by Jouk Oosterhof, from the series Invisible, In Focus: Child Brides in Bangladesh, 2018 © Jouk Oosterhof.
This exhibition of photographic portraits from around the world focuses on shifting identities and common humanity.
Yonezawa, Directional Robot, 1957. Private collection. Photo: Andreas Sütterlin.
From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a celebration of robots that also asks timely questions about how we interact with machines, and how we should design our shared future.
Danh Vo, Photographs of Dr. Joseph M. Carrier 1962–1973, 2010 (detail). Installation view at the South London Gallery, 2019. Courtesy the artist. Photo: Nick Ash.
Gathering together constellations of objects and artworks, the Danish artist’s largest UK exhibition thrives on real and imaginary connections.
Katie Paterson, Totality, 2016. Installation view Scottish National
Gallery of Modern Art. Photo © Neil Hanna, 2019.
From Paterson’s exploration of deep time and the cosmos to Almond’s ethereal moonlit photographs, this exhibition focuses on the concept of time.
Anselm Kiefer, Superstrings, Runes, The Norns, Gordian Knot, White Cube Bermondsey 15 November 2019 - 26 January 2020 © Anselm Kiefer. Photo © White Cube (Ollie Hammick). Courtesy White Cube.
Kiefer’s vast new works bring together scientific theory, mythology, astrology, mathematics and spirituality. The result is mysterious and unsettling.
Karlyn Sutherland. Light Study, Toyama (4), 2019. © the artist. Photo: Angus Mackay.
This exhibition of nine Scottish-based abstract artists repays visitors who are prepared to take their time and appreciate a different pace and dynamic.
Judy Chicago, Autobiography of a Year (detail), 1993. Mixed media on Magnani paper, 15 x 11 in (38.1 x 27.9 cm). © Judy Chicago/Artists Rights Society (ARS), New York. Photo © Donald Woodman/ARS, New York. Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco.
Escaping from the shadows of The Dinner Party, a career-ranging survey of the pioneering feminist translates private thoughts into public display.
Lari Pittman, The Senseless Cycles, Tender and Benign, Bring Great Comfort, 1988. Acrylic and spray paint on wood, 96 x 64 in (243.8 x 162.6 cm). Art Institute of Chicago. Gift of Cari and Michael Sacks. © Lari Pittman, courtesy of Regen Projects, Los Angeles.
Marionette pilgrims, magical eggs and aqueous wonder worlds – this retrospective of Pittman’s work is both exhaustive and exhausting but it’s also fascinating and fun.
Hansjörg Mayer speaking to Studio International at the opening of Hansjörg Mayer: Typoems and Artists’ Books at the Kunstbibliothek, Berlin, 25 October 2019. Photo: Martin Kennedy.
Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us through this major exhibition of Mayer’s works from concrete poetry to radical typography to artists’ publications .
Photo: Oliviero Toscani & Maurizio Cattelan.
After the commotion of the heist, the recently ended exhibition, Victory is not an Option, at Blenheim Palace and a new publicity stunt beg the question of where Cattelan might go next.
Leonardo: Experience a Masterpiece, National Gallery, London. Photo: 59 Productions.
This  immersive exhibition, which hopes to persuade viewers to look in depth at Leonardo’s The Virgin of the Rocks, provides insight into the artist’s technique and the story behind the painting.
Edmund de Waal. Photo: Nick Howard.
The British artist and author talks about his many exhibitions this year, including his work for the Venice Biennale 2019 in which he turned the idea of the ghetto into a place of hope and possibility.
Anthony Eyton by Sarah Eyton, 2019. © Sarah Eyton.
Now 96, remarkably the Royal Academician’s latest show is full of recent paintings, which Frank Auerbach has told him are his most original yet. He talks about his artistic practice, the influence of his mother’s work and how hard he finds it to finish a painting.
Sidsel Meineche Hansen, Welcome to End-Used City, 2019. Installation view, Chisenhale Gallery, 2019. Commissioned and produced by Chisenhale Gallery, London. Courtesy the artist. Photo: Andy Keate.
From sex dolls to data harvesting, the artist lays the blame for the digital-human disconnect squarely at our door, with our increasing willingness to allow companies access to our personal data.
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