The artist talks about the work in his latest show, now postponed, his interests and influences – and how he is coping with lockdown.
As Italy tentatively enters a less restrictive phase of Europe’s longest lockdown, the leaders of three prominent art institutions consider the immediate effects and longer-term implications of a global calamity.
Newling’s ecological artworks provoke questions about how we can work in harmony with nature and contribute to a sustainable future for all.
The National Gallery charts the fascinatingly bisected oeuvre of Nicolaes Maes, whose early genre innovations were abruptly supplanted by his hugely successful career as a portraitist .
This essay, comprising conversations with UK-based critics looks at the effects of the Covid-19 pandemic on their work and prospects.
In the final instalment of this five-part essay, comprising conversations with artists around the world, we look at the possible long-term effects of the Covid-19 crisis on the art world and the rise in online offerings.
In the fourth instalment of this five-part essay, comprising conversations with artists around the world, we look at the work artists have made in response to the coronavirus, and the prescient zeitgeist.
In the third part of this five-part essay, comprising conversations with artists around the globe, we look at the impact the pandemic – and imposed isolation – is having on them in terms of community and inner resilience.
This five-part essay, comprising conversations with multiple artists around the globe, looks at the far-reaching effects of the Covid-19 crisis on their livelihoods and practices, both negative, in terms of financial losses and future worries, but also lessons learned, communities built and new works inspired. Part one looks at the impact of cancelled shows and fairs.
In the largest exhibition of Beardsley’s drawings for 50 years, we see evidence of his exquisite practice and a dedication to drawing in a painfully short life and career.
Nanda Vigo, the multifaceted protagonist of postwar European arts, has died in Milan aged 83.
The coronavirus pandemic is a chance for people to ask how they can do better by nature, says Ginsberg, who talks about her work using artificial intelligence and technology.
With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often timely film and sound pieces marks the festival’s original dates.
The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for sculptor Helaine Blumenfeld’s biggest UK solo exhibition to date.
Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing the everyday with an eeriness.
This is a long overdue survey of the British contribution to the surrealist movement.
Video walkthrough of this group exhibition at Goldsmiths Centre for Contemporary Art narrated by curator Natasha Hoare.
There is a great deal of death in this exhibition but, ultimately, it is an overwhelming lust for life that permeates every room.
Three new solo exhibitions resulting from artists’ residencies at Villa Arson explore architecture, place, ritual and introspection.
This article was first published in The Studio, Vol 1, No 1, April 1893, pages 14–19.
The artist talks about her abstract constructions, which lie partway between painting and sculpture, and how her art was shaped by life in New York in the 1970s followed by her move to Australia nearly 40 years ago.
This exhibition of works from Glasgow Museums’ collection explores the concept of domestic bliss, from domestic labour and feminism to intimate relationships and contested social roles.
Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text installation, different understandings of idleness, the role that writing plays in her practice and how her time as a social worker feeds into her art.
Cao’s first large-scale UK exhibition is a fantastical exploration of utopian and dystopian worlds, a collision of the real and the virtual, and a meditation on technological progress.
This thoughtfully designed exhibition tells the story of Cecil Beaton and the Bright Young Things perfectly. It is engaging, informative and fun.
Chung was in the vanguard of Korean abstract painting in the 1960s and 70s and this show combines 11 of his works from that time with those of some of his contemporaries.
Covering the first decade of Rembrandt’s work, with more than 30 paintings and 90 drawings and prints, this unusual show traces the artist’s transformation from unaccomplished teenager to one of the world’s greatest artists.
In the second part of this five-part essay, comprising conversations with multiple artists around the globe, we look at the impact of self-isolation, either due to sickness or preventatively, and financial implications.
Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazilian modernist’s practice reveals her as a multifaceted, quicksilver painter.
Death has given Aubrey Beardsley the immortality of youth; and in future histories of illustration, whether for blame or praise, men must needs add that it was a mere boy who did these things, and did them as no other had ever attempted to do them before.