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The hare dominated his practice to such an extent that it is often all he is remembered for, but this comprehensive exhibition reveals the true breadth of Flanagan’s oeuvre.
With her six-month inaugural exhibition and a live Aktion ahead of the official opening, Joyce hopes to surprise visitors and make them think – as well as to leave behind something of her collaborative research to guard the new Brandenburgian arts centre.
A humming, interconnected series of unsettling yet eerily beautiful works explores our place in a world governed by technology, but it’s not clear whether Aitken considers us the beneficiaries of this technology or slaves to its constant presence.
A striking study of the process of ageing and mortality, the central room of this three-gallery exhibition offers a stand-alone journey through this Finnish artist’s life and concerns.
The artist discusses her approach to objects and performance, to writing and performing, and to language, the absurdity in life – and the colour pink.
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This engaging exhibition, horrifying and humorous by turn, includes installation, sculptures and works on paper by Hatoum that reflect on our troubled times.
The Los Angeles-based painter presents an offbeat world that reflects on a distinctly American kind of idealism.
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This bold exhibition brings together two challenging female artists insistent on exploring identity and the medicalised body.
The artist talks about her interest in madness and the edge of things and the five large-scale paintings in her show l’Appel du Vide, which opens this month at Blain Southern in New York.
The Brussels-based Congolese artist talks about the past and present of colonialism and mineral extraction in the context of his recent exhibition at Salzburg’s Stadtgalerie Museumspavillon, Salzburg Summer Academy.
The Welsh-based land artist talks of his early years, the evolution of his process, the importance of dialogue with materials and the need for his work to communicate the spirit and materials of its place.
From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘private school for my kids’, Perry is not afraid to lampoon the very people who buy his work.
The 15th Lyon Biennale has an ambitious theme and a vast new additional venue. But can it live up to expectations?.
As he opens a new project at the Barbican Centre, the artist and critical geographer explains online image sets, surveillance culture and the return of human classification.
The young Norwegian photographer talks about fear, red devils, graveyards and reinvesting photography with a sense of truth.
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You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that Antony Gormley is about to present at the Royal Academy.
Burns guides us around the cave where his latest installation is taking place and explains that, historically, caves have played a vital role in the simultaneous evolution of consciousness and creativity.
Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark reminder that the west’s sense of superiority still persists.
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Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribute to the original Bauhaus movement while cleverly subverting it.
A comprehensive survey of the impassioned American artist and writer proves his relevance then and now, without stinting from the lows – as well as the highs – of his prodigious output.
Just three years after leaving art school, Hendry has already had several high-profile shows. She talks about her love of problem-solving and manipulating materials and discusses her new exhibition at Yorkshire Sculpture Park.
It’s all about power – electricity and power relations – and this dynamic opening night for E-Werk Luckenwalde, curated by Block Universe, combined all varying aspects in an electrifying manner.
Karikis has filmed children, teenagers, elderly female pearl divers and others on the margins on society. He talks about his aims and his latest project, at De La Warr Pavilion in Bexhill, which focuses on carers.
There is metal everywhere in this engaging exhibition, which contrasts the gigantic with the minuscule, but it is the drawings that steal the show.
At the opening of her latest show, Telling it Slant at Flowers Gallery, Cockburn talks about happy accidents, the labour that goes into her work and the simple joy of circles.
The Danish artist mixes his paint with holy water. Here, he talks religion, irony and bringing mystery back into art.
This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who started out by subverting the cultural policy of her country’s socialist regime .
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Following an exhibition based on Robinson Crusoe and a new book of photographs of South Africa’s disused railway lines, Palmer’s latest projects are on Irish independence and Russia’s Kronstadt Mutiny. He explains how he chooses his subjects.
Van Harskamp is a woman obsessed by language. Here she talks about people’s names, what she calls “linguistic biographies” and how languages evolve as people from different places speak them.
An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn, unfolds in three chapters.
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