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Balkrishna Doshi: Architecture for the People, 2019. Installation view. © Vitra Design Museum. Photo: Norbert Miguletz.
This comprehensive exhibition guides us through the creative world of this Pritzker Prize-winning architect, whose vision and inventiveness have empowered the people who use his buildings
Wong Ping, installation view, Golden Shower, Kunsthalle Basel, 2019. Photo: Philipp Hänger / Kunsthalle Basel. Courtesy of the artist and Edouard Malingue Gallery, Hong Kong / Shanghai.
At Kunsthalle Basel, Hong Kong-born animator Wong Ping creates a seductive physical world for his grotesque and sexually charged animations with installation and sculptures.
Henry Moore, Reclining Male Nude, c1922. Drawing. Reproduced by permission of The Henry Moore Foundation. © The Henry Moore Foundation. Photo: Michel Muller.
Although Henry Moore is best known as a sculptor, drawing was critical to his artistic practice. This exhibition is the largest of Moore’s drawings in more than 40 years.
The Shed, New York, by Diller Scofidio + Renfro, lead architect and Rockwell Group, collaborating architect. Photo: Miguel Benavides.
Pioneering and Olympian, a $475m arts centre anchoring the south end of a shiny new enclave on Manhattan’s Lower West Side hopes to reach a broader community with immersive, intuitive and groundbreaking programming. Can emerging art thrive in such weighted space?.
Jos Tilson. Photo: Nick Howard.
Tilson has combined the ancient craft of hand-weaving with the language of modern art alongside an obsessive approach to sculptures in clay. She talks here about Italy, her passion for architecture and what’s wrong with the #MeToo campaign.
Jenny Holzer: Thing Indescribable, Guggenheim Bilbao. Photo: Veronica Simpson.
This overarching retrospective covers Holzer’s 40 years as an artist activist, from her printed slogans on T-shirts and condom-wrappers to LED and kinetic sculptures.
Leon Kossoff, Self-Portrait, 1971. Oil on canvas, 27.9 × 22.9 cm. Private collection, Europe. Copyright Leon Kossoff. Image courtesy Piano Nobile, London.
A career-spanning exhibition of the London artist confirms his status as the quintessential painter of the capital’s inner peripheries.
Equilibrium. An idea for Italian sculpture, installation view, Mazzoleni, London, 8 February – 5 April 2019. Photo courtesy Mazzoleni London Torino.
A striking exhibition presents works that examine and play with the notion and execution of equilibrium in a multifarious array of sculptural forms.
Brazilian film-maker and theatre producer Matheus Parizi.
Parizi talks about the current right-wing climate in Brazil, cuts to funding for the arts, and his new short film First Act, which he made as a direct response to the political events in his country.
Online Dating Profile Picture, Hey Saturday, London, England, 2016. Image courtesy Saskia Nelson, Hey Saturday.
Documentary photographer Martin Parr’s latest exhibition, Only Human, at the National Portrait Gallery, is all about us – us humans, but especially us British. Here, he talks about cake, collecting and Britain in the time of Brexit.
Illustration of the internal organs and acupuncture points in Shishi bessho zui. Hozumi Koremasa, 1820s. © Royal College of Physicians.
The Royal College of Physicians’ exhibition of anatomical illustrations, from medieval times to the present day, reveals the intersecting histories of medicine, art and politics, explains Under the Skin’s curator, Katie Birkwood.
Allan Sekula, Black Tide/Marea negra, 2002-03. 20 colour photographs in 10 frames, text. Copyright Allan Sekula. Courtesy the artist and Marian Goodman Gallery New York, Paris and London.
A career-spanning presentation of the late photographer and theorist shows an artist redefining the capabilities of his medium.
Performance view of BMW Tate Live Exhibition: Anne Imhof: Sex at Tate Modern 2019, © Tate Photography (Oliver Cowling).
Spending four hours at Imhof’s live works is like Waiting for Godot, for the slacker generation. The audience turns out to be the most fascinating element of the exhibition.
Daniel Steegmann Mangrané, The Word for World is Forest, 2019, installation view at Nottingham Contemporary. Photo Stuart Whipps.
Step into this show and you find yourself immersed in the Brazilian rainforest, as the artist draws you in with installation, film and VR to highlight the plight one of the world’s most endangered ecosystems.
Alexandra Dementieva, Breathless, 2012. Interactive light object with production by Cyland MediaLab, VGC (Vlaamse Gemeenschapscomissie) (BE), and Adem vzw (BE), support from iMAL asbl/vzw and Flemish Ministry of Culture, programming and engineering by Aleksey Grachev and Sergey Komarov, and breath detector/Interface-Z construction by Peter Maschke; courtesy of the artist.
The exhibition is not only a visual and intellectual tour de force, but also offers spiritual fulfilment, immersing the viewer in an atmosphere of exploration of ancient Buddhist concepts and practices as seen through contemporary art.
Elizabeth Price, FELT TIP, 2019, installation view, Nottingham Contemporary. Photo: Stuart Whipps.
Prehistoric ferns, corporate ties and hairy-legged stiletto wearers are among the things Elizabeth Price’s video works throw at you, as the Turner prize-winner investigates seismic change in manual and white-collar labour.
Gladys Nilsson, A Cold Mouth, 1968. © the artist. Courtesy the artist and Garth Greenan Gallery, New York.
Rosie Cooper and Sarah McCrory’s stunning retrospective pays homage to an artist group at work beyond the artworld’s centre.
Gerda Scheepers. (Roller) Blind, 2019. Fabric, wood, rope, copper hook, 65 x 184 x 8 cm (25 1/2 x 72 1/2 x 3 in). Image courtesy the artist; Mary Mary, Glasgow. Photo: Malcolm Cochrane.
The Cape Town-based artist presents new work at Glasgow’s Mary Mary Gallery, creating a subversive, melancholic and yet quietly comical homage to the frustrating everyday.
John Bellany, Rose of Sharon, 1973. Oil on canvas, 194 x 187 cm (76.4 x 73.6 in). Photo: Prudence Cuming Associates, The Estate of John Bellany. All rights reserved. Bridgeman Images, 2019.
From his collection, Damien Hirst has produced a tribute to the passionate and visionary work of two Scottish artists he admired.
Pascale Marthine Tayou, Plastic Bags, 2019. Presented by Richard Taittinger Gallery, New York, and Galleria Continua, San Gimignano, Beijing, Les Moulins, Havana. Photo @ Mike Vitelli.
From historical displays to recent works by relatively unknown artists, from performance to installation, from politically provocative and conceptual pieces to ornamental presentations, this year’s Armory presented a well-measured display of opposing – even conflicting – trends within the art world .
Hew Locke talking to Studio International at his London studio, 5 February 2019. Photo: Martin Kennedy.
Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV’s historical dramas, before the opening of his show at the Ikon Gallery, Birmingham.
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