After the commotion of the heist, the recently ended exhibition, Victory is not an Option, at Blenheim Palace and a new publicity stunt beg the question of where Cattelan might go next.
This immersive exhibition, which hopes to persuade viewers to look in depth at Leonardo’s The Virgin of the Rocks, provides insight into the artist’s technique and the story behind the painting.
The British artist and author talks about his many exhibitions this year, including his work for the Venice Biennale 2019 in which he turned the idea of the ghetto into a place of hope and possibility.
Now 96, remarkably the Royal Academician’s latest show is full of recent paintings, which Frank Auerbach has told him are his most original yet. He talks about his artistic practice, the influence of his mother’s work and how hard he finds it to finish a painting.
From sex dolls to data harvesting, the artist lays the blame for the digital-human disconnect squarely at our door, with our increasing willingness to allow companies access to our personal data.
Using early-19th century techniques, Miller works without a camera, experimenting with light to produce mesmerising and haunting images.
From the dreamlike worlds of her colossal tapestries to her printmaking and the photographs in which she records her own sculptures, this show reveals the multiple threads that weave in and out of her rich, multidisciplinary practice.
An exhibition of work by Alan Davie in Wakefield in 1958 was formative for the young David Hockney and the power of influence is foregrounded in this new exhibition.
MK Gallery’s generous survey confirms the Liverpudlian Leonardo’s position as one of the 18th century’s greatest artists, who matched anatomical exactitude with a proto-Romantic spirit.
The haunting microcosm of north Italian suburbia as pictured by the matchless Luigi Ghirri is on display in this show at Thomas Dane Gallery.
The artist, who describes her work as ethnographic drawing, explains how her practice began when she worked with Aboriginal people in Australia and draws similarities between that continent and Shetland, where she now lives.
The Palestinian artist unravels some of the layers of In Vitro, her science-fiction film now showing in the Danish Pavilion at the Venice Biennale, and relates it to our present – unsettling – reality.
This is a compelling show that reminds us that, though known best for his welded-steel sculptures, Smith identified as a painter.
The Zimbabwe-born, London-based artist talks about her new work for her solo show at Gasworks in London and why her paintings for this year’s Venice Biennale almost reduced her to tears.
This exhibition of self-portraits across seven decades shows the artist at his most vulnerable.
In his first exhibition at Hauser & Wirth London, the LA-based artist looks into the past to create an abstract art for the present.
This small but delightful display, comprising largely sketches from the RA’s collection, beautifully illustrates the key themes of Knight’s working life: the countryside, the nude, and scenes from the theatre, ballet and circus.
The artist discusses how going to a football match at the age of seven inspired him to start painting, his dislike of organised religion, his rigorous approach to his art and his current new work at Blain Southern.
Sherrill talks about his current retrospective at the Smithsonian’s Renwick Gallery, why he calls himself a “material-based artist”, being influenced by Matisse – and the joy of home-grown tomatoes.
The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a revolutionary painter of portraits, concerned with himself even as he painted others.
This exhibition of photographic portraits from around the world focuses on shifting identities and common humanity.
From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a celebration of robots that also asks timely questions about how we interact with machines, and how we should design our shared future.
Gathering together constellations of objects and artworks, the Danish artist’s largest UK exhibition thrives on real and imaginary connections.
From Paterson’s exploration of deep time and the cosmos to Almond’s ethereal moonlit photographs, this exhibition focuses on the concept of time.
This exhibition of work by the octogenarian painter shows everything from her earliest work to her most recent explorations.
The inventiveness and curiosity of Nam June Paik is what shines through in this show of visionary work from throughout his career.
One hundred years since the founding of the Bauhaus school, this exhibition considers how it influenced the UK’s cultural scene, from film to music and performance art to hairstyles.
From buildings to sustainable products to gaming technology, this year’s design festival proved a welcome look at how to care for our beleaguered environment.
The restored, expanded MoMA has opened its doors and it is a bold new vision.
Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to a packed house at the London nightclub Ministry of Sound during the city’s Frieze Week. The evening’s event was curated by Louise O’Kelly, founding director of Block Universe.