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Cy Twombly: Fifty Years of Works on Paper

An exhibition of more than 80 drawings by Cy Twombly is on show at the Hara Museum of Contemporary A...

Herman de Vries: ‘My guru is a squirrel’ – Venice Biennale 2015

Herman de Vries, whose work spreads far beyond the confines of the Rietveld pavilion, explains why h...

Fighting History

Fighting History, an exhibition examining 250 years of history painting, has received a torrent of a...

Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...

The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...

Pulitzer Arts Foundation marks its relaunch

With a new name, a doubling of gallery space, and new director Cara Starke, the revamped museum is k...

Sophia Narrett: ‘I see the sewing process as akin to drawing’

The artist talks about the process of making her embroideries, why she uses pop culture for source m...

Patricia Cronin: 'A silent protest can be quite powerful' – Venice Bienn...

Patricia Cronin talks about Shrine for Girls, her installation at the Venice Biennale that commemora...

Carsten Höller: Decision

In his latest major exhibition, Carsten Höller’s playful artwork turns the Hayward Gallery into a...

Richard Tuttle: Separation

Richard Tuttle’s third solo exhibition with Modern Art shows four new bodies of work that continue...

Geoffrey Eastop: ‘The character of the mark describes the object’

Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – t...

Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...

The artist talks about having a retrospective at the Royal Academy at the same time as showing in it...

Julian Opie: ‘I’ve always used movement as much as colour or imagery’

The artist talks about his current exhibition at the Alan Cristea Gallery, playing with the way we i...

Conrad Shawcross: The Dappled Light of the Sun

As well as his epic, sprawling installation that greets visitors to the Royal Academy Summer Exhibit...

Agnes Martin

This major retrospective spans Martin’s career from the early 50s to the last drawing made before ...

Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...

The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, tal...

Alighiero Boetti: Order and Disorder

As well as some of his best-known works of embroidery and ballpoint-pen drawings, this exhibition in...

Roni Horn: Butterfly Doubt

Three recent series of works from the New York artist, using her trademark method of tessellating tw...

Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become par...

Chloe Dewe Mathews’s Tate commission, Congregation, looks at south London’s African churches, ca...

Sarah Lucas: I Scream Daddio – Venice Biennale 2015

Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has t...

Cecily Brown: ‘In a way you can see things more clearly when they’re s...

The artist talks about her latest exhibition, The English Garden, explains why it is a lot harder to...

On My Way – Venice Biennale 2015

As a parallel event to the Venice Biennale, a group of artists from Russia present an exhibition tha...

Reflections on the Self: From Dürer to Struth

This exhibition explores the genre of the self-portrait, looking at the ways in which more than 50 a...

ART15: London’s Global Art Fair

Galleries from 40 countries came together at this third edition of the London fair to celebrate art ...

Rachel Maclean: ‘I’m taking and contributing to the weird recycled eco...

The artist talks about taking her inspiration from YouTube and LolCats to Britney Spears and Scottis...

Tracey Emin | Egon Schiele: Where I Want to Go

In this exhibition, in which Tracey Emin juxtaposes her works with those of her teenage idol Egon Sc...

Jake Chapman: ‘Show me a Hitler and I’ll draw on it’

Having unveiled the sinister Sturm und Drang at Ekebergparken Sculpture Park, Oslo, one half of arti...

Rafaël Rozendaal: ‘I see the same intensification of reality in Mondria...

The artist, who now has hundreds of websites to his name, talks about using the internet as his canv...

BGL: ‘In our installation, people play with money, and we like this game...

Canadian art collective BGL makes art that is playful and provocative, using irony and parodic inter...

Max Mara Art Prize for Women: Corin Sworn

Corin Sworn, the fifth winner of the biannual Max Mara Art Prize for Women, has taken the 16th-centu...

Yoko Ono: One Woman Show, 1960-1971

The message of Yoko Ono’s art has always been world peace. In her performances, installations and ...

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