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Published  30/11/-0001
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Chantal Joffe: ‘I want to make the painting feel like the person’

The artist talks about what she seeks to capture in a painting, how motherhood changed her, and why ...

Conrad Shawcross: ‘It looks like a wonder of the world’

Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...

Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...

His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...

Anri Sala: Answer Me

Sound, music and history are brought together in this comprehensive look at Sala’s work, which inc...

Julien Prévieux: ‘Humour is a good fighting trick’

From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...

Nikolai Astrup: Painting Norway

Astrup described himself as a naive naturalist painter, and his richly colourful landscapes are pote...

Maha Malluh: ‘I don’t see the point in creating new objects while we h...

The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Betty Woodman: Theatre of the Domestic

Breaking the boundaries between 2D and 3D works, Betty Woodman’s ceramic assemblages resemble stag...

Jerwood Encounters: Common Property

Through the work of six artists, including three new commissions, this exhibition looks at the thorn...

Kaleidoscope: The Indivisible Present

In the first of its exhibitions to celebrate its 50th birthday, the museum focuses on the examinatio...

Hector McDonnell: ‘My paintings have always been about personal experien...

As well as a realist painter, of everything from Northern Ireland’s infamous Maze prison to Rwanda...

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...

Simon Fujiwara: White Day

A Harvey Nichols paper bag, a single branch from a plum tree and a pile of shaved fur coatsare some ...

Art into Society – Society into Art: Seven German Artists

By revisiting a key exhibition of German artists from 1974, the ICA reflects on art, its relationshi...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...

Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...

The artist talks about her unique method of “memorising” and “recording” objects in copper w...

Maud Sulter, Syrcas

The Scottish-Ghanaian artist placed black women at the centre of the frame, metaphorically and liter...

Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...

Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...

Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...

Koen Vanmechelen: ‘An artist is always arriving at something that was un...

The man who turned breeding chickens into an art explains his plans to create a sustainable, diverse...

Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...

In his first London show, the artist explores the Ethiopian traditions of honouring the spirit of a ...

Line

Spanning a wide range of media, this exhibition takes works created since 1969 by 15 artists, each o...

Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling technique, her current collaboration, and explains w...

Aura Satz: ‘I think of all my works as conversations’

The artist reveals some of the hidden stories that inspire her film, performance and installation wo...

Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...

Working on drawings after labouring over collages is like taking a gallop through a vast field, says...

Champagne Life

As the Saatchi Gallery marks its 30th anniversary with its first all-women exhibition, a new generat...

When silence falls

This is a group exhibition of work by contemporary artists exploring humanitarian crimes. It present...

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