logo studio international

Comix Creatrix: 100 women making comics

This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary Mary Dar...

<

Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...

Kelly Chorpening: ‘The whole relationship between image and object or bu...

Studio International visited Horatio Junior gallery in southeast London to talk to the American arti...

Three Generations: Passing on the Eyton drive

As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...

Russia and the Arts: The Age of Tolstoy and Tchaikovsky

This exhibition introduces visitors to the talents and turmoil of the Russian arts scene from 1867 t...

Heidi Kilpeläinen: ‘In a way, I suppose I’m making my reading of the ...

The London-based Finnish artist talks about her multidisciplinary practice and her recent residencie...

<

Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...

The artist talks about how touring in a band influenced his work, despising morality in art, how we ...

Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...

After months of psychoanalysis, the Turner Prize-winning artist reveals something of his inner self ...

Colin Self: ‘I want to be devoid of the art world and paddle my own cano...

On the occasion of his exhibition at London’s Mayor Gallery, the most singular of British pop arti...

Sergio Caballero: ‘I’m interested in the creative process. I couldn’...

The Spanish artist, composer, film-maker and director of Barcelona’s Sónar Festival talks about h...

Lin Tianmiao: ‘Thread winding taught me to be patient’

Incorporating weaving, sewing and embroidery into her fine art practice, the multidisciplinary artis...

<

Andrea Ponsi: ‘I draw, therefore I am’

The architect, designer, writer and painter on how he went from building his own shelter in a South ...

Botticelli and Treasures from the Hamilton Collection

Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal the show in this exhibiti...

Chantal Joffe: ‘I want to make the painting feel like the person’

The artist talks about what she seeks to capture in a painting, how motherhood changed her, and why ...

Conrad Shawcross: ‘It looks like a wonder of the world’

Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...

Joe Graham: ‘Anchor is not quite a book about drawing, and yet it’s no...

His new book, Anchor, presents 14 responses to the question: What is an outline? Here, he explains w...

<

Julien Prévieux: ‘Humour is a good fighting trick’

From ‘hacking’ Google to responding to ads to tell employers why he doesn’t want their job, th...

Maha Malluh: ‘I don’t see the point in creating new objects while we h...

The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...

Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became the first architectural practice to win the T...

Hector McDonnell: ‘My paintings have always been about personal experien...

As well as a realist painter, of everything from Northern Ireland’s infamous Maze prison to Rwanda...

Andy Warhol: Works from the Hall Collection

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...

<

Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

Superflex, Jakob Fenger, Rasmus Nielsen, Bjørnstjerne Christiansen, Copenhagen, Denmark, Jerwood Vi...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...

Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...

The artist talks about her unique method of “memorising” and “recording” objects in copper w...

Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...

Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...

<

Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...

Koen Vanmechelen: ‘An artist is always arriving at something that was un...

The man who turned breeding chickens into an art explains his plans tocreate a sustainable, diverse ...

Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...

In his first London show, the artist explores the Ethiopian traditions of honouring the spirit of a ...

Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling technique, her current collaboration, and explains w...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA