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Nicky Hirst: Real Size

Nicky Hirst's sculptures and installations quietly and skillfully explore the consonances and disson...

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Eddie Martinez: 'I just want people to interpret the work how they want'

Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...

John Latham: A World View and Speak: Tania Bruguera, Douglas Gordon, Laure...

Two concurrent exhibitions present a selective view of the career of renowned conceptualist John Lat...

Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...

Lygia Pape: A Multitude of Forms

The exhibition gives an insight into the development of modernism in Brazil, a country to which it w...

Ruth Maclennan: ‘I realised that global warming was happening, and asked...

Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...

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Queer British Art 1861-1967

To mark the 50th anniversary of the partial decriminalisation of sex between men, Tate Britain’s c...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...

Enrique Martínez Celaya: 'The sense of past as memory always has force'

Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...

Heywood and Condie: Head Land

Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with pl...

David Hepher – Grain of Concrete

Unusually for a landscape artist, David Hepher has for 40 years focused almost exclusively on the to...

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Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...

Brook Andrew: ‘I was challenged to unwind the histories that were told t...

History, identity and race dominate the Australian artist Brook Andrew’s work, as he challenges st...

Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...

An exhibition at the Naiya Alexander Gallery in New York brings together Alexey Titarenko’s photog...

Constable and Brighton

A pivotal period of John Constable’s life was spent in Brighton, where he would repeat three favou...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Deanna Petherbridge sees ...

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James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

From Selfie to Self-Expression

Advertised as the world’s first exhibition dedicated to the history of the selfie, From Selfie to ...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Maeve Brennan: The Drift

Premiering at the Chisenhale Gallery, Brennan’s film The Drift (2017) depicts restorative labour a...

Caroline Walker: ‘Who we perceive to be the maker of an image affects ho...

Caroline Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complic...

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Naeem Mohaiemen: It is Not Necessary to Understand Everything

Tensta Konsthall is showing Bangladeshi artist Naeem Mohaiemen’s 2011 film, United Red Army, about...

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contempo...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

Norman Hyams talked to Studio International about his painting process before the opening of his fir...

Drawing Biennial 2017

The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a r...

Marsden Hartley’s Maine

Capping a series of pioneering shows at the Met Breuer that, force majeure, will serve as the new wi...

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After Industry

This exhibition of works by Christer Karlstad, Willy Verginer and Jason DeMarte, fittingly staged in...

Jean Painlevé

This is the first UK solo show for fascinating artist Jean Painlevé, who chronicled key moments in ...

Architecture as Metaphor

A mix of sculpture, tapestry, film, photography, painting and collage by 33 artists whose work refer...

Amelie von Wulffen: The Misjudged Bimpfi

For her first solo exhibition in the UK, Amelie von Wulffen deals with themes of guilt, marginalisat...



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