logo studio international

Harland Miller: ‘Brevity is no strength of mine’

The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why ...

<

Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and ...

Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my co...

The sculptor talks about the perpetual puzzle of the cosmos and its vastness, eternity and the meani...

Bhupen Khakhar: You Can’t Please All

Whether depicting the pathos of everyday tradesmen, the union of same-sex lovers, or the embattled d...

Ella Kruglyanskaya

Colourful, cartoonesque depictions of curvaceous, sassy women people the Latvian artist’s painting...

Anthony McCall: ‘I wondered if it would be possible to make a film that ...

The artist, a key figure in the avant-garde London Film-makers’ Co-operative in the 1970s, discuss...

<

Guillermo Kuitca

In this bold collection of paintings, the Argentinian artist demonstrates his “cubistoid” style,...

Francis Bacon: Invisible Rooms

The largest exhibition of Bacon’s paintings ever held in the north of England, it takes as its cur...

Cuba Libre, Con Permiso

Artists are the new plutocrats in Cuba and, with trade embargos with the US likely to be lifted soon...

Maria Lassnig

Concerned with the fundamental problem of the location of the body, both on canvas and in the world,...

Tess Jaray: Dark & Light

In this exhibition, which comprises three triptychs and two small standalone pieces, Jaray’s inter...

<

Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Gallery in London, billed as ‘...

Sunken Cities: Egypt’s Lost Worlds

Ongoing excavations of two rediscovered cities have shone light on a rich era in Egyptian history, a...

György Kovásznai: A Cold War Artist. Animation. Painting. Freedom

The first UK retrospective of the work of the Hungarian artist, film-maker and animator displayed hi...

Fox Talbot: Dawn of the Photograph

This exhibition tells the story of the birth of photography, exploring the vision of the Victorian i...

Katie Paterson: ‘As a child, I used to practise daydreaming’

With her largest UK show to date currently on at the Lowry, the artist talks about the relationship ...

<

Robert Irwin: All the Rules Will Change

This exhibition looks at work the artist produced from 1958 to 1970, a time when he reconsidered the...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

Stephen Prina: ‘The exhibition was really about considering whether I co...

The post-conceptual artist talks about his hometown, studying with John Baldessari at California Ins...

Ettore Spalletti: Every dawn, is first / Ogni alba, è la prima

His voice is singular, his pieces united in simplicity: painted columnar forms that point to classic...

David Claerbout: ‘I sculpt in duration’

The artist talks about duration, place and history in his practice, and how he sees his way of worki...

<

Ryan Sullivan: ~ / –

For his second exhibition at Sadie Coles, the young American artist eschews canvas and paper, drawin...

Georg Baselitz: Wir fahren aus (We’re off)

This major exhibition, the artists first major solo show at White Cube, includes new large-scale pai...

Martine Syms: ‘I am interested in the idea of the gulf between your live...

The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...

William Heath Robinson’s Life of Line

With a wit all of his own Heath Robinson captured everything from the sublime to the ridiculous, and...

Frieze New York 2016

There were dogs, a screaming blow-up baby and a real donkey, but there were also museum-quality inst...

<

Gillian Wearing: ‘I don’t have any typical practice. Every project is ...

The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...

From the Collection: 1960-1969

From a shiny Jaguar E-Type, explosions of colour and a trip through a more muted palette, MoMA has s...

Sara Greenberger Rafferty: ‘What is more essential than how one faces th...

The multimedia artist talks about constructing the self through the language of clothing...

Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his current show at Exeter Phoenix, collaborating with local artists, the imp...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA