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Iman Issa, Lexicon

In her latest exhibition at the Rodeo Gallery, London, Cairo-born artist Iman Issa takes existing ar...

Daniel Zolli: ‘Competition was in the air these sculptors breathed. It c...

As the Museum of Biblical Art hosts this momentous exhibition of renaissance masterpieces, co-curato...

Paul Chan: ‘Times have changed, and I have changed, and I wanted somethi...

Paul Chan is a versatile artist and writer, working in video, installation, publishing and the inter...

Alexander McQueen: Savage Beauty

Fashion it may be, in that every item in this Alexander McQueen retrospective is for wearing, but ar...

Five Issues of Studio International at Raven Row

Studio international visited Raven Row in East London to talk to writer and curator Jo Melvin about ...

Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market

Full of impressionist masterpieces, this exhibition looks at how art dealer Paul Durand-Ruel struggl...

Hadieh Shafie: ‘I take things from my culture and marry them to my weste...

Hadieh Shafie makes transformative objects that hover between painting and sculpture, integrating he...

Florian and Michael Quistrebert: Visions of Void

This beautifully drafted exhibition by the Quistrebert brothers is focused, enthralling and atmosphe...

Jason Rhoades, Four Roads

From smoke machines to salmon roe, Jason Rhoades’s art of the bizarre and the ‘gleefully vulgar...

David Best: ‘My favourite material is people’

Known for the temples he builds for the Burning Man event in Nevada, David Best has this year brough...

Staging the Ukrainian Avant-Garde of the 1910s and 1920s

A beautiful exhibition of the Ukrainian avant garde’s theatre design from the 1910s and 20s is est...

Ken Kiff: The Hill of Dreams

In the Hill of Dreams, which includes encaustic paintings, monotypes, lithographs, etchings, woodcut...

Painting Now

Book review, Painting Now, Suzanne Hudson Painting Now Painting Now is a survey of contemporar...

Marisa Williamson: ‘I want to make history alive in people’s worlds’

The performance artist talks about leaving Los Angeles to start a course at the Whitney Museum in Ne...

Goya: The Witches and Old Women Album

Nightmarish visions and demonic passions fill the pages of Goya’s late drawings. But as this exhib...

The Sultan’s World: The Ottoman Orient in Renaissance Art

East meets west in this dazzling show, which focuses on the attraction the Ottoman empire held for w...

Armory Week 2015

The thousands who braved the snow for this year’s Armory found no big surprises. Rather, there wer...

Marc Chagall: A Retrospective (1908-1985)

The long career of a colourful chameleon, Russian-born artist Marc Chagall, is shown off in more tha...

Birds of Metal in Flight: An Evening of Poetry with 5 + 5

In celebration of the year-long exhibition Phoenix: Xu Bing at the Cathedral, a night of poetry by s...

Andrea Mason: ‘If I had to be categorised really simply ... I am an arti...

Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Litera...

2015 Triennial: Surround Audience

Surround Audience includes some strong works, but the New Museum’s Triennial 2015 bombards you wit...

Moonstrips: Eduardo Paolozzi and the printed collage 1965-72

Sir Eduardo Paolozzi is considered to be one of the forerunners of British pop art. An exhibition of...

On Kawara: Silence

The Guggenheim’s retrospective of On Kawara brings to the fore the great richness of the artist’...

Ilana Halperin: ‘Drawing is a trace fossil of a moment, an idea, proof o...

The artist, whose work is bound up with geological phenomena, explains the excitement of holding a m...

Good Figures: An exhibition of the female form depicted by 30 contemporary...

Thirty contemporary female artists, ranging in age from 24 to 82, celebrate the enduring appeal of t...

Sheila Hicks – interview: I’ve enjoyed a whole career of being an outs...

The American-born artist Sheila Hicks invited us to join her on her brightly coloured pigmented bale...

Marlene Dumas: The Image as Burden

Challenging and provocative, this vast retrospective at Tate Modern charts Marlene Dumas’s long ca...

Sargent: Portraits of Artists and Friends

This latest exhibition at the National Portrait Gallery is an illuminating tour de force that opens ...

Helen Flockhart: ‘Art doesn’t have to be large to be powerful’

The Scottish painter on her time at Glasgow School of Art in the 80s, being influenced by convention...

Kehinde Wiley: ‘I think ideas are just as important as the material prac...

African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...

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