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Published  30/11/-0001
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Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...

In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...

Paula Modersohn-Becker: An Intensely Artistic Eye

Following the artist’s progress from a small German artists’ community to the bright lights of P...

Daniel Sinsel

A pulse of eroticism runs through this collection of Sinsel’s new work, as he teases the distincti...

The world is yours, as well as ours

This exhibition takes the visitor on a whirlwind tour of some of China’s most recent abstract work...

Dana Schutz: ‘I think of the viewer as the painter’

The artist talks about deciding to become a painter when she was 14, how Alice Neel and the Velvet U...

The New Blockheads

This retrospective looks at the work of a group of performance artists from St Petersburg in the lat...

Michael Joo: ‘I was taken by the fact that there was a space that was in...

The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...

9th Berlin Biennale for Contemporary Art (BB9): The Present in Drag

Mixing physical locations with digital content, The Present in Drag is a brilliant parody that build...

Georgia O’Keeffe

Tainted by the myth of erotic undertones, O’Keeffe’s work is shown by this long overdue retrospe...

Kate Whiteford: ‘By confronting simple questions, bigger ones emerge. Th...

The artist talks about her new work, now on show at the Mercer Art Gallery in Harrogate, looking at ...

Alice Channer: ‘The area in between the subject and the object is the ar...

The artist, who used everything from cigarette ash to microbeads to create her work, talks about cyb...

Performance, Audience, Mirror

Celebrating moving image from the 1960s to the present day, this exhibition explores experimentation...

Pierre Lassonde Pavilion

The new pavilion for the Musée National des Beaux-Arts du Québec is a glorious building that nearl...

Co-thinkers

The focus of this exhibition, with work by canonical American and European artists, is less on the a...

Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...

Carlo Carrà: Metaphysical Spaces

The works presented here show some of Carrà’s key metaphysical works, charting his jettisoning of...

Winifred Knights (1899-1947)

Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now...

Venice Architecture Biennale 2016: Reporting from the Front

From the poster image for this six-month-long event to the immersive installations of exquisitely re...

William Eggleston: Portraits

The first exhibition devoted to the American photographer’s portraiture undersells the works’ be...

Lamia Joreige: ‘Anything you film in a certain reality at a certain mome...

The artist, one of seven finalists included in the Artes Mundi 7 exhibition, talks about her project...

Niki de Saint Phalle: Je Suis Une Vache Suisse

Despite traumatic experiences early on in life, Niki de Saint Phalle’s produced vivacious, playful...

Alfredo Jaar: A Logo for America

The first UK screening of Chilean artist Alfredo Jaar’s iconic work, A Logo for America, at London...

Tate Modern Switch House

After more than a decade and over £250m in funds, Tate Modern’s new sibling has opened its doors,...

Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France

Offering the quiet thrill of a cool oasis in the park, the Frick Collection has mounted a connoisseu...

Peter Howson: A Survey of Prints

This retrospective of prints produced over four decades by Scottish artist Peter Howson, one-time me...

This is a Voice

This intriguing exhibition attempts to capture the elusive nature of the human voice, with live perf...

Diane Arbus: in the beginning

Burnished by a brilliant installation, this early work shows the storied American photographer alrea...

Ragnar Kjartansson

The Icelandic artist’s first UK survey exhibition serves up a palimpsest of delights that gives co...

Stuart Davis: In Full Swing

Showcasing his work from 1921 to his death in 1964, this exhibition allows the visitor to fully appr...

Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...

The Destruction of Memory charts the global loss of historic artefacts through war and terrorism. It...

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