Archive - Results from #180

Published 30/11/-0001

Hurvin Anderson: Salon Paintings

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Hurvin Anderson, Studio Drawing 1, 2006. © Hurvin Anderson. Courtesy the artist and Thomas Dane Gallery. Photo: Richard Ivey.

Hurvin Anderson: Salon Paintings

This show focuses on Hurvin Anderson’s barbershop paintings, a subject he has been returning to fo...

Frans Pourbus the Younger, 1569 – 1622. Saint Francis Receiving the Stigmata, 1620. Oil on canvas, 227 x 162 cm. Musée du Louvre, Paris. © RMN-Grand Palais (musée du Louvre) / Gérard Blot.

Saint Francis of Assisi

Saint Francis of Assisi, whose story began with a painting, has been depicted in more than 20,000 wo...

Ellsworth Kelly. From left: Gate, 1959. Painted aluminium, 67 x 63 x 17 in (170 x 160 x 43 cm). Collection Walker Art Center, Minneapolis; Gift of Kate Butler Peterson, 1997; Black Green, 1970. Oil on canvas, two joined panels, 110 x 84 in (279 x 213 cm). Glenstone. All artworks © Ellsworth Kelly Foundation. Photo: Ron Amstutz. Courtesy: Glenstone Museum, Potomac, Maryland.

Ellsworth Kelly at 100

This exhilarating and comprehensive show, celebrating the centennial of Ellsworth Kelly's birth, fea...

Dominic Harris speaking to Studio International before the opening of his exhibition Feeding Consciousness, Halcyon Gallery, London, May 2023. Photo: Martin Kennedy.

Dominic Harris – interview: ‘I’m trying to empower the viewer to ass...

At his latest exhibition, Feeding Consciousness, at the Halcyon Gallery, British artist Dominic Harr...

Agata Słowak, Sytuacja z niedźwiadkiem polarnym i liskiem (Situation With Polar Bear and Fox), 2023. Oil on canvas, 43 1/4 x 31 1/2 in (110 x 80 cm). Courtesy of the artist, Foksal Gallery Foundation, Warsaw, and Fortnight Institute, New York.

Agata Słowak: Time Is Love

Identity and sexuality are explored in the young Polish artist Agata Słowak’s powerful and contro...

Gwen John. Self-Portrait with a letter, c1907-9. Pencil and watercolour. Musée Rodin.

Gwen John: Art and Life in London and Paris

With her focus on quiet domestic interiors and sensitive portraits of women, Gwen John has long been...

Mary Ramsden. Left to right: Dry white rectangles of moonlight; The end came and went; Like the sound of the wind in a movie. Each 170 x 110 cm, 2023. Installation view, The Reason for Painting, Mead Gallery, Warwick Arts Centre, 2023. Photo: Luke Pickering.

The Reason for Painting

This show is billed as bringing together a group of younger artists ‘experimenting with colour, ma...

Amy Sillman: Temporary Object, installation view, Thomas Dane Gallery, Naples. © Amy Sillman. Courtesy the artist, Gladstone Gallery, New York and Thomas Dane Gallery. Photo: Roberto Salomone.

Amy Sillman – interview: ‘We’re in this sticky place between despair...

On the occasion of her latest exhibition at Thomas Dane’s Naples gallery, the ever-probing Amy Sil...

Maki Na Kamura in her studio, April 2023. Photo: © Maki Na Kamura. Courtesy Michael Werner Gallery, New York and London.

Maki Na Kamura – interview: ‘People in the presence of my work can pro...

Maki Na Kamura, the Berlin-based Japanese painter, touches on her interest in patterns of structures...

La Horde

An invigorating survey of the French art and dance collective explores how dance binds communities t...

Jaune Quick-to-See Smith, Indian Madonna Enthroned, 1974. Burlap, fabric, polyester batting, dried corn, leather thongs, beaded leather bands, necklaces, book (God Is Red by Vine Deloria Jr.), pheasant wings, American flag, beaded hide moccasins, two framed ink and graphite pencil drawings, Masonite cradleboard, animal hide, sheepskin and fleece, bird feet, wood chair, and painted plywood, 52 × 34 × 20 in (132.1 × 86.4 × 50.8 cm). Collection of the artist; courtesy Garth Greenan Gallery, New York. Fabricated by Andy Ambrose. © Jaune Quick-to-See Smith. Photo: Neal Ambrose-Smith.

Jaune Quick-to-See Smith: Memory Map

In the first New York retrospective of the artist’s work, covering almost five decades, she offers...

Brent Watanabe, San Andreas Streaming Deer Cam, 2015-16. © the Artist.

Perfect Behaviours. Life Redesigned by the Algorithm

Are we free to make our own decisions in an age in which technology is used to manipulate us? Curato...

Simone Leigh

Ceramic, bronze and video works spanning 20 years of Simone Leigh’s practice, including nine works...

Dante Gabriel Rossetti. Lady Lilith, 1866-68 (altered 1872-1873). Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935.

The Rossettis

The Rossettis: This exhibition is both broader and narrower than its title suggests. In a nutshell, ...

Gil Joseph Wolman. Michèle Bernstein / Tautologie. (Séparation), c1986. Photograph and typewritten text.

Guy-Ernest Debord & Gil Joseph Wolman: L’un n’exclut pas l’autre [Th...

This exhibition is a joy, combining leaflets, flyers and other ephemera from Debord and Wolman’s p...

Kate Spencer Stewart: Diurne

Kate Stewart takes into account the contingencies of ambient light, her works iridescent, shimmering...

Kira Freije. Vocabulary of ruin and the divine wound, 2023. Stainless steel, cast aluminium, silk, velvet, wool, cigarette. Photo: Veronica Simpson.

Kira Freije – interview: ‘There’s a fine line I always have to tread...

The E-Werk’s Turbine Hall is the perfect setting for Freije’s new figurative metal sculptures. T...

Left: Hilma af Klint, The Ten Largest, Group IV, No. 7, Adulthood, 1907. Courtesy of The Hilma af Klint Foundation. Right: Piet Mondrian, Composition with Grid 3 Lozenge Composition with grey Lines, 1918. Kunstmuseum Den Haag.

Hilma af Klint & Piet Mondrian: Forms of Life

They never met or even knew of one another’s work, yet Hilma af Klint and Piet Mondrian are united...

Emily Kraus: Nest Time

This young painter, fresh out of the Royal College of Art, has already developed her own, very disti...

Michael E Smith

A scruffy old armchair, two grubby basketballs, ventilation panels, dirty white walls – it’s uns...

Christina Seilern. Photo: Kanipak Photography.

Christina Seilern – interview: ‘Doing a project is like writing a book...

Having set up Studio Seilern Architects in 2006, Christina Seilern has been quietly building a solid...

Hunterian Visitor Experience Assistant Esme Rankin in the reframed Hunterian Art Gallery. Photo courtesy Martin Shields Photography.

Hunterian Art Gallery Reframed

Scotland’s oldest public museum has “reframed” its historic collection to recognise Glasgow’...

Isaac Julien, Looking for Langston, installation view, Tate Britain, 2023. Photo: Jack Hems. © Isaac Julien. Courtesy the artist and Victoria Miro.

Isaac Julien: What Freedom Is to Me

Charting 40 years of the film-maker’s career, this exhibition immerses its audience in slavery, im...

Andy Warhol: The Textiles

If you thought you knew everything about Warhol’s work, this show may surprise you. The curators h...

Ai Weiwei: Making Sense

Ai has a genius for incorporating pieces of everyday design into his work as a form of protest at go...

James Ward, Fanny, A Favourite Dog, 1822. By courtesy of the Trustees of Sir John Soane’s Museum, London.

Portraits of Dogs: From Gainsborough to Hockney

While some might be quick to dismiss #WallaceWoofs as kitsch and gimmicky, it is a well-founded and ...

Left: Chaim Soutine, Le valet de chambre, c1927. Oil on canvas. The Lewis Collection. Right: Leon Kossoff, Head of Seedo, 1964. Property of the Roden Family. Copyright Leon Kossoff Estate.

Soutine/Kossoff

Colour, gesture and expression permeate the works of Chaïm Soutine and Leon Kossoff, but this exhib...

Shuji Nakagawa. Installation view of Moon from the series Born Planets, 2022. Cedar wood. Photo: Koroda Takeru.

Visionaries: Making Another Perspective

Contemporary Japanese artists celebrate their country’s traditional ancient crafts using natural p...

Edouard Vuillard, Lugné-Poë, 1891. Oil on canvas, 22.2 x 26.7 cm. © Memorial Art Gallery of the University of Rochester.

After Impressionism: Inventing Modern Art

Cézanne, Van Gogh and Gauguin are at the heart of this show as it takes us on an exhilarating journ...

Saya Woolfalk. We Emerge at the Sunset of Your Ideology, 2022. (installation detail view). Multimedia installation, four figures: glass and digital collage vinyl mural, 214 x 145 inches each. 2 single-channel colour videos, infinite loop with sound. Pennsylvania Academy of the Fine Arts. Photo: Lori Waselchuk.

Rising Sun: Artists in an Uncertain America

This partnership between art institutions of disparate missions and unequal standing and resources h...

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