logo studio international

Georgia Horgan: ‘Confident, working women were a threat to the social or...

Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...

<

Giacometti

Alberto Giacometti’s scrawny figures pulse with kinetic energy. This new retrospective at Tate Mod...

Art in Art

The exhibition captures the ingenuity and playfulness involved in critical perception, with more tha...

Mithu Sen: ‘I constantly change my mediums so the market will not be abl...

Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...

Becky Suss: ‘Putting domestic spaces into the gallery says something abo...

In her exhibition Homemaker at the Jack Shainman Gallery in New York, Philadelphia-based artist Beck...

Rachel Maclean: Spite Your Face – Venice Biennale 2017

Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...

<

NS Harsha: Charming Journey

Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...

Zoë Paul: La Perma-Perla Kraal Emporium

‘We need to have a connection to the place we live in. It’s an extension of ourselves and it’s...

Frieze New York 2017

The fair’s extensive list of programmes and projects, including a symposium on Latin American art,...

Cornelia Parker

The new works of the often-brilliant Cornelia Parker act as a cautionary tale for artists who rush t...

Tracey Emin and William Blake in Focus

While the similarities between the work of Tracey Emin and William Blake are tenuous, the latest ins...

<

Berlin Gallery Weekend 2017

The biggest week of the year for Berlin’s contemporary art scene saw the opening of dozens of exhi...

Frances Stark: ‘I am desperately trying to connect outside of the art wo...

Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...

Oliver Griffin: ‘The very act of photography makes something interesting...

Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...

Peter Dreher: ‘In my pictures I underline the act of seeing’

German artist Peter Dreher recounts the trauma of childhood under the Nazi regime, his autonomy from...

Joan Eardley: A Sense of Place

During her tragically short career, Joan Eardley concentrated on two contrasting areas of Scotland, ...

<

James Bridle: ‘There is a huge demand to humanise the technological view...

James Bridle talks about his current show at the Nome Gallery, Berlin, which centres around the self...

Nathalie Djurberg & Hans Berg: Who am I to Judge, or, It Must be Something...

Lust, sexual desire, sin and guilt are explored in a series of short claymation films supported by a...

Lascaux IV: International Centre for Cave Art

With Lascaux IV, which contains a state-of-the-art simulation that brings to life the famous Lascaux...

Art Brussels 2017

This 35th annual incarnation of Art Brussels was taglined ‘From Discovery to Rediscovery’. Here ...

Nicky Hirst: Real Size

Nicky Hirst's sculptures and installations quietly and skillfully explore the consonances and disson...

<

Eddie Martinez: 'I just want people to interpret the work how they want'

Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...

John Latham: A World View and Speak: Tania Bruguera, Douglas Gordon, Laure...

Two concurrent exhibitions present a selective view of the career of renowned conceptualist John Lat...

Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...

Lygia Pape: A Multitude of Forms

The exhibition gives an insight into the development of modernism in Brazil, a country to which it w...

Ruth Maclennan: ‘I realised that global warming was happening, and asked...

Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...

<

Queer British Art 1861-1967

To mark the 50th anniversary of the partial decriminalisation of sex between men, Tate Britain’s c...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...

Enrique Martínez Celaya: 'The sense of past as memory always has force'

Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...

Heywood and Condie: Head Land

Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with pl...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA