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A History of Drawing

The inaugural exhibition at the Camberwell College of Arts’ new space is a sensitive, nuanced look...

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What Absence Is Made Of

This exhibition brings together more than 70 works from the Hirshhorn’s collection in an attempt t...

Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...

The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...

Edmund Clark: ‘The intervention, the control, the censorship is part of ...

Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...

Philip Pearlstein: Paintings 1990 – 2017

Philip Pearlstein’s nudes are a triumph of draughtsmanship and the product of a lifetime of learni...

Anne de Boer & ecksenis.net: System Attempt Contact

System Attempt Contact critiques the way today’s tech multinationals transcend the borders between...

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Charles II: Art and Power

The Royal Collection’s exploration of the Merrie Monarch is a historical exhibition par excellence...

Bi-City Biennale of Urbanism/Architecture (UABB) 2017: Cities, Grow in Dif...

This biennale is determined to take account of residents, focusing on micro-housing and smaller resi...

Torbjørn Rødland: Back in Touch

Secrets lurk in Rødland’s photographs, but in chasing the thrill of the secret, his images fall s...

John Piper

A lopsided retrospective reveals an artist who thrived best when he was commissioned or working in c...

Sriwhana Spong: a hook but no fish

Spong explores the invented language of Hildegard von Bingen, a 12th-century mystic. Over the Pump H...

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Bharti Kher: ‘In the way a kitchen has many different things cooking at ...

Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...

Peter Hill: ‘I have a love for the solitude of lighthouses at one extrem...

The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Sup...

Solidary & Solitary: The Joyner/Giuffrida Collection

A museum committed to the art of the American South presents an exhibition that highlights the contr...

Peter Doig

The Scottish painter’s latest works are as beautiful as ever, but exhibit a newfound looseness, pl...

Sofia Stevi: Turning forty winks into a decade

Greek artist Sofia Stevi’s paintings ooze confidence, sensuality and an improvisational spontaneit...

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From Life

This exhibition sets out to explore the significance of life drawing and the life class in art pract...

Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...

The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...

Ania Dabrowska: ‘By the retelling of archival stories we have the power ...

Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...

From Ear to Ear to Eye: Sounds and Stories From Across the Arab World

This powerful show fuses art and music in an attempt to open ears and eyes to life in the Arab world...

Louvre Abu Dhabi, designed by Jean Nouvel

Jean Nouvel has conceived a masterful new structure for the Louvre Abu Dhabi, at once utterly modern...

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Cybernetic Serendipity 50th Anniversary

The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first p...

Museum Gift of the Year: The Tibetan Buddhist Shrine

As 2017 Museum Gift of the Year, Studio International has chosen the Tibetan Buddhist Shrine, a magn...

Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test

Revoliutsiia! Demonstratsiia! joins an effort by progressive cultural institutions to mark the cente...

Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...

The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...

Music From The Balconies – Ed Ruscha and Los Angeles

Moving to Los Angeles at 19, having grown up in Oklahoma City, Ed Ruscha was always an outsider. His...

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Rose Wylie: Quack Quack

The octogenarian painter’s enormous, unpredictable canvases are by turns joyful and fearsome, intr...

Art Basel Miami Beach 2017

It was all systems go – quality art, media buzz, more space, more work – but with a lower attend...

Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...

Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...

Carolee Schneemann: Kinetic Painting

This is a rich and expansive retrospective of Schneemann’s work over the past six decades...



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