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Published 25/07/2012 email E-MAIL print PRINT

Simon Patterson talking to Studio International at De La Warr Pavilion, 18 July 2017. Photograph: Martin Kennedy. Julian Lethbridge. Boreas, 2017. Oil, pigment stick, on linen, 132 x 106.5 cm (52 x 42 in). Courtesy the artist and Contemporary Fine Arts. Photograph: Matthias Kolb. Hans Hansen. Untitled (Plant models), 2007. © Hans Hansen. Harold Cohen talking to Studio International in his home studio, Encinitas, California, May 2015. Hélio Oiticica (1937–1980), installation view of Eden (1969) at Whitechapel Gallery, London, 1969. Sand, crushed bricks, dry leaves, water, cushions, foam flakes, books, magazines, Dzpulp fiction, dz straw, matting, and incense, 68 ft. 10 3/4 in. ×  49 ft. 2 1/2 in. ×  11 ft. 5 3/4 in. (21 ×  15 ×  3.5 m). Collection of César and Claudio Oiticica. © César and Claudio Oiticica. Guy Yanai. Los Angeles, 2017. Oil on linen, 150 x 180 cm. Damien Hirst. The Collector with Friend. Bronze, 185.5 x 123.5 x 73 cm. Photograph: Joe Lloyd. Harold Cohen’s Drawing Machine in 1979. Courtesy Harold Cohen’s archive. Hanne Darboven. In-House Letter to Mother at Burgberg, 24.12.1974. Copyright: Hanne Darboven Foundation. Courtesy Christians Verlag, Hamburg. Henri Matisse. Safrano Roses at the Window, 1925. Oil on canvas, 80 x 65 cm. Private collection. Photograph © Private collection. © Succession H. Matisse/DACS 2017. Clare Woods. Comfort Monitor, 2016. Oil on aluminium, 3m x 2m (118 x 78in). Courtesy the artist and Simon Lee Gallery London & Hong Kong. Bill Viola. Chott el-Djerid (A Portrait in Light and Heat), 1979. Videotape, colour, mono sound, 28 minutes. Produced at WNET/Thirteen Television Laboratory, New York. Lluís Lleó. Photograph: Corrado Serra. Stephen Chambers talking to Studio International at the opening of The Court of Redonda, Venice, 2017. Photograph: Martin Kennedy. Marlie Mul: This exhibition is cancelled, gallery view, Glasgow Gallery of Modern Art 2017. Photograph: Max Slaven. Andrew Rogers. I AM–ENERGY, installation view in front of Nur Alem, nicknamed The Sphere, the Expo’s hub, housing the Kazakhstan National Pavilion and Museum of Future Energy. Laura Youngson Coll. © Hydar Dewachi. Vic in Oil Tank – North of Inverness, deep inside the Inchindown Oil Tank, searching for the worlds longest reverb. Hayv Kahraman. T25 and T26, 2017. Oil on linen, 203.2 x 152.4 cm (80 x 60 in). © Hayv Kahraman. Courtesy of the artist and Jack Shainman Gallery, New York. Benny Andrews. Did the Bear Sit Under a Tree?, 1969. Oil on canvas with painted fabric collage and zipper, 127 x 156.8 x 5.7 cm. Emanuel Collection. © Estate of Benny Andrews /DACS, London IVAGA, NY 2017. Maggie’s Centre for cancer care, Oldham. Photograph: Alex de Rijke. Jesse Jones talking to Studio International at the opening of Tremble Tremble, Pavilion of Ireland, Venice Biennale 2017. Photograph: Martin Kennedy. Otto Dix. Reclining Woman on a Leopard Skin, 1927. (Liegende auf Leopardenfell), 1927. Oil paint on panel, 68 x 98 cm. © DACS 2017. Collection of the Herbert F. Johnson Museum of Art, Cornell University. Alexandra Dementieva. Photograph: Evgeny Gurko. Raqib Shaw. Detail of Self-portrait in the Studio at Peckham (this is how Shaw depicts himself, part clown, part skeleton), 2014-15. Photograph: Veronica Simpson. Evgenia Arbugaeva. Photograph: Theodora Richter. Afruz Amighi. Photograph: Matteo Leonardi. Esther Rolinson: Gravitate. Ida Applebroog. Mercy Hospital, 1969. Ink and watercolour on paper, 35.6 x 27.9 cm (14 x 11 in). © Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photograph: Emily Poole. Jade  burial  suit  with  gold  thread, Western  Han  (206  BCE –  8  CE), L 176 cm (69 5/16 in), W (shoulder) 68 cm (26 13/16 in); 4,248 pieces of jade, 1,576 g (about 55.6 oz) of gold thread, excavated in 1994–95 from the King of Chu’s tomb at Shizishan. Collection of the Xuzhou Museum. 金缕玉衣,西汉,长176、肩宽68厘米,玉片4248片、金缕1576克,1994–1995年狮子山楚王墓出土,徐州博物馆藏

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