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Published 25/07/2012 email E-MAIL print PRINT


Nancy Fouts. Foosball Madonna Table, 2016. Wood and oil paint, 71 x 90 x 48 cm. © Nancy Fouts, Courtesy of Flowers Gallery. Emil Nolde. Self-portrait, 1917. Selbstbild, 1917. Oil on plywood, 83.5 x 65 cm. © Nolde Stiftung Seebüll. Cherry Pickles. Self-Portrait as William S Burroughs, 2014. Oil on canvas, 100 x 80 cm. David Hockney. Tall Dutch Trees After Hobbema (Useful Knowledge), 2017. Acrylic on six canvases (two canvases: 36 x 36 in, four joined canvases: 24 x 48 in) overall installation dimensions 64 x 144 in (162.6 cm x 365.8 cm). Photograph courtesy Pace Gallery. © 2018 David Hockney. Helen and Kate Storey: Neurogenesis: from neuron birth to all that we are, 2018, installation view. Photograph: Erika Stevenson. Philip K Smith III, Open Sky, Installation view, Palazzo Isimbardi, Milan. Photograph: Lance Gerber. Courtesy of the artist and Cos. José Parlá in residence at Landmarks, the public art programme of The University of Texas at Austin, 2017. Photograph: Rey Parlá. Wasp, installation view, Hannah Barry Gallery, London, 2018. Photograph: Damian Griffiths. Creativity and Collaboration: Revisiting Cybernetic Serendipity, National Academy of Sciences, Washington DC, 2018. E.E.Cummings. Sound, 1919. Oil on canvas, 89.2 x 88.9 cm. Metropolitan Museum of Art, New York. © The Estate of E.E.Cummings. John Walter. The Shonky Bar. Photograph: Ruth Clark. Interiority, 2018. Installation view,  Hunter/Whitfield, London. Cécile B. Evans. Amos’ World, 2017: Episode One. Exhibition view, mumok, 2018. © mumok. Photograph: Klaus Pichler. Miguel Chevalier talking to Studio International in his Paris studio, February 2018. Photograph: Martin Kennedy. Andrzej Wróblewski. (Self-Portrait in Red), undated. Watercolour and gouache on paper, 29.5 x 41.7 cm. Private Collection. © Andrzej Wróblewski Foundation. Rie Nakajima, Cyclic, installation view, Ikon, Birmingham, 21 March – 3 June 2018. Photograph: Martin Kennedy. Lee Lozano. No title, 1964. © The Estate of Lee Lozano. Courtesy Hauser & Wirth. Paul Brown. Gymnasts, 1997. Giclée print, 31.5 x 23.62 in. © the artist. William Crozier. (Untitled) Landscape, 1958. Oil on board, 97 x 71.5 cm. Private collection courtesy Piano Nobile, London. Dawn Mellor. Detective Superintendent Ellie Miller (Olivia Colman), 2016. Oil on canvas, 30 x 24 in. © the artist. Sofia Borges. Yellow Chalk, 2017. Pigmented inkjet print, 90 9/16 × 59 1/16 in (230 × 150 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2018 Sofia Borges. Man in makeup wearing ring. Photograph from a photo booth, with highlights of colour. United States, c1920. © Sébastien Lifshitz Collection. Courtesy of Sébastien Lifshitz and The Photographers’ Gallery. Chiahru Shiota in the chapel at Yorkshire Sculpture Park. Photograph: Veronica Simpson. Marino Marini. Fondazione Marini Marini. Current day Sainsbury Centre, 2009. Photograph: © Sainsbury Centre, Pete
Huggins. Michele Oka Doner talking to Studio International at the opening of Bringing the Fire, David Gill Gallery, London, 21 March 2018. Photograph: Martin Kennedy. Lilah Fowler. nth nature, 2018. Installation view. Image courtesy of Lilah Fowler and Assembly Point. Linder. She/She (detail), 1981, printed 2007. 14 photographs, black and white, silver bromide print, on paper, 70.7 x 61.2 cm. Tate. © Linder. Japanese dancer Masako Ono of Odissi dance form. Photograph: Jill Spalding. Ingela Ihrman. The Giant Hogweed, 2016. Paper, reed, glue, textile, spray paint, plastic, nylon string, ratchet strap. Courtesy Cooper Gallery, DJCAD and Ingela Ihrman.


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