Kavaliauskaitė, originally from Lithuania but now living in Finland, talks about art and alchemy, haunted mansions, her latest exhibition and why she was drawn to live in Nuutajärvi, a village famous for its glass-blowing.
An exhibition of work by the Canadian painter David Milne charts his progression from depictions of New York city scenes to the battlefields of France and Belgium back to the rural US and Canada, influenced on the way by European painters such as Cézanne, Matisse and Brâncuși.
Teeming with hidden treasures, this exhibition is a compact survey of key movements and artists in Italian modern art in the early 20th century, a febrile moment in the country’s artistic and political history.
The artist known for focusing on the poetic aspects of daily life talks about new approaches to painting as seen in his current series of works, which draws on gardens situated in the bustling urban environment of Shanghai.
Her legacy has often been dwarfed by her biography – as Rodin’s student and lover, who spent 30 years in a psychiatric institution. But with a new museum in her name, and 11 of her works saved for the French nation, Camille Claudel is coming out of the shadows.
The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibition at the Arthur M Sackler Gallery at the Smithsonian Institution, which took three years to organise and brought together more than 200 objects spanning two millennia.
Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based artist Claudia Wieser discusses her references from 1970s TV to Greek plays, and the danger of making work that is too beautiful.
Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote contemporary Finnish art. Here, she discusses her exhibition at Helsinki’s Kiasma Museum of Contemporary Art, community-building, monuments and painting on paper.
The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talks about his exhibition The Chapel, at the South London Gallery, and how it gave him the chance to think about religion, spirituality and politics in a new way.
Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led to the artist’s monumental cyclorama Pickett’s Charge, and why the subject, the 1883 Battle of Gettysburg, still resonates today in the US.
Jamie Fobert Architects’ new wing for Kettle’s Yard in Cambridge opened this month, doubling the education space and bringing its facilities bang up to date. How harmonious is the marriage of this incisive 21st-century building with the Georgian and modernist originals?.
Weaving a path in and out of Peter Welz’s awkward steel architectural intervention, the viewer comes up close and personal, in an unsettling way, with Michaela Zimmer’s layered canvases. Scratch the surface and there is far more to be told than at first meets the eye.